L. Ron Hubbard
1951
I jumped on the opportunity to pick this book up. And I know, it’s not in good shape – probably the worst in my collection aside from my reading copy of City and my ex-library Iceworld. At $52 for this the price perhaps is a little steep, but from what I can determine it’s not outrageously too much for this title in this condition. Let’s check out the damage.

I can use one word to sum up the condition of this book: shabby. You can see the spotting on the jacket and the spine is noticeably faded. The artwork by David Kyle is a little unconventional, but I like it nonetheless. Sans jacket it’s not much different.
I really like the imprinting on the front board as GP did for several of their earlier titles. In this case a cool confluence of the Fear eye and the Typewriter ribbon.
The top and bottom view, along with the close examination of the spine extremities only reinforce the overall first impression.


The spine is a bit wobbly and has a slight lean.

Both the head and tail of the binding are quite badly bruised.
Here’s a closer view of the nasty wear on the top rear edge of the front board.

The jacket, as you noticed over the last five pictures, is in generally poor condition. Foxing, discoloration and overall wear.
Opening it reveals further misery. One lengthy split along the front hinge…


..and another beginning to develop in the rear.
The back of the jacket is consistent at least.
Year: 1951
Paid: $52
Art: David Kyle
Quantity: 4000 copies
Binding: Tan boards with black lettering on the spine with a ‘typewriter ribbon and eye’ device embossed on the front board.
GP Edition Notes: 1st edition so stated.
Comments: A shabby but important addition to my collection. I’m in two minds about the worth at that price.
Expand Upon: wikipedia.com, Internet Speculative Fiction Database

Nice cover. Some pretty general and standard edge wear to the jacket, but with a closer image we can see the issues.
With the jacket off the book looks super. Boards are clean but a kind of a strange crimping or folding at the tail of the spine. Something Joe didn’t mention and which surprised me a little when I peeked under the front flap, you can see below.
And also an inscription and signature from Gnome Press co-founder, cover artist and book designer David A. Kyle. Cool. Note those two spheres, we’ll look at them later on.
Spine sits nice and square and the block is nice and white with no staining or foxing. The head and tail of the spine reveal no surprises, except we can see the wear there in a bit more detail.
Just a couple of small closed tears there. Isn’t the block nice and white though??
The tag-line for the book is “A Novel of Mankind on Two Worlds” or “A Science Fiction Novel of Two Human Worlds” depending on where you look in the book. The two little spheres obviously represent that. These are the only two places in the book they appear, and it’s such a small, subtle touch. I like it.
Nasty. Big chunk out there. Aside from that, very little discoloration or staining on the back.

